Unlike many contemporary fonts, it is a true italic, containing such characters as the single-storeyed lowercase a and g. The bold weight of the typeface has been similarly carefully designed, to ensure that it is always heavier than the regular weight; an important consideration at small sizes on the screen, where it is often necessary to distinguish between the two.
Originally made available in September , the Georgia typeface family was released in an extended version in October The newer releases contain all the characters necessary to typeset Eastern European languages, in addition to the Greek and Cyrillic scripts.
Georgia version history Version 2. Version 2. Version 1. It was also included in the Internet Explorer 4. This typeface is also available within Office applications.
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This browser is no longer supported. Download Microsoft Edge More info. This Google font also has similar serifs to Georgia, although the strokes are a bit bolder for this particular font. It works perfectly for headlines and even subheadings, but might be a bit too wide for body text on smaller screen sizes. In addition to the fonts above, any font with a straight-edged serif will give you a familiar look that reminds one of Georgia.
You might also wonder what fonts pair well with Georgia. In the examples of Georgia, you likely noticed designers often combine the serif-based Georgia with a sans-serif font, creating a clean, crisp look. Here are some sans-serif fonts that pair well. Similar to Georgia, Helvetica has some modern and some old-time elements. It pairs well with Georgia because of these similarities, yet a lack of as many serifs as Georgia contains.
Try out different fonts and see which ones you like best together. There are three font weights available for this one, including regular, light and bold. Wensley has the distinctive larger and smaller lines giving it a distinctive Georgia flair. This display serif font is quite similar to Georgia, but the spacing is closer together.
It works great in presentations and for headers, but is readable in smaller sizes, too. Adren works well for magazine headers and logos. Georgia is a cross between regal and casual style and works well almost anywhere as a headline. The serifs add a touch of elegance and Old World flavor, and the straight lines give the font a modern edge. The examples below show the adaptability of the font.
It almost always has an elegant appeal. Use all caps for titles and a mix of capitals and lowercase for a less formal look. Progetty uses Georgia, or something very similar, in second-tier text throughout their site.
Georgia is in the headlines and also in some of the descriptive text, but navigation and other headlines are in a sans-serif font. Again, the mixture of serif and sans serif on the same page is striking. Taylor Stitch uses Georgia in their headlines, lending bold strokes to their titles, which also speaks to the rugged nature of their products. They also use Times New Roman for the navigation and calls to action throughout the site.
The design puts the focus on their headlines first, helping the user better understand their product before moving toward the action the brand wants them to take.
Time magazine uses a Georgia-looking font on their site to give the entire aesthetic a magazine appearance, even online. Note the sans serif headers and the use of Georgia for the subheadings and the body text. The overall effect recalls a glossy print magazine and draws the user into the story, rather than focusing on the typography.
When it comes to using Georgia, the sky really is the limit. Although it was created specifically for screen use, it can translate well in print, too. Just test it and make sure it is as crisp as you desire before sending to the printer.
In smaller font sizes, it should look just as good as any other font for print work. Larger sizes may require a bit more tweaking or mixing in an additional font to ensure you have the crispest lines possible.
Georgia does tend to work better on the web than in print. Get flawless typography on every design project. Vogue Business. The Cut. Fonts — Canela , Chap , Georgia. Financial Times. Fonts — Financier Display , Metric , Georgia. The Creative Independent. Fonts — Georgia , Courier. Fonts — Larish Neue , Moderat , Georgia. Deborah Zoe Photography. Beyond Prison. Scientific American. Fonts — Brunel , Benton Sans , Georgia. The Forecaster. Fonts — Miller , Graphik , Georgia.
Fonts — Obsidian , Georgia , P22 Underground. Royal Drawing School. Fonts — Vinter , Georgia.
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